Wednesday, September 17, 2014

Review: In the Aeroplane Over the Sea


In the Aeroplane Over the Sea
In the Aeroplane Over the Sea by Kim Cooper

My rating: 4 of 5 stars



I was hoping for a bit more about the complexity of Jeff Magnum’s mental health/personality here, since there are elements to his personality referenced that don’t get a clear presentation -- perhaps because no one speaks ill (or completely honestly) of him or because Cooper was not given enough clarity into his manner.** For instance, at the end of the book, one interviewee mentions that Magnum’s post-NMH life involved spiritual exploration that made him a “calmer person.” Yet, there’s not much in the way of erratic behavior presented in the book. Granted, the live performances and the obsessive musical composition and recording can be cast as frantic and chaotic (which Cooper does state) but there’s nothing that indicates Magnum in particular needed to calm down. At one point Cooper references the growing pressure of Magnum being deemed a rock star, but that too lacks any real...oomph as a claim. The rock star life on display here is more living-out-of-a-van-on-the-road not massive groups of fans, destroyed hotel rooms, substance abuse, mental health breakdowns, etc. Maybe none of those things occurred, but then what pressure, what ROCK STAR pressure, was truly being felt? Was it simply, as one of the band members states, that Magnum was more sensitive than most people? If so, then did he feel like a rock star?

So, this is quibbling and I knew going in that Magnum didn’t get interviewed for the book, so Cooper’s done an amazing job despite the glaring hole in the project. Fun to read, especially now that NHM has been touring again (2013-2014). I doubt Magnum will ever be comfortable talking to the press again, but he seems to have backed away from a pretty tame media circus compared to the circuses that followed other rock stars of the 90s-00s (e.g. Cobain, Corgan, Reznor). Those bands were signed to major labels and faced huge amounts of pressure for their sophomore releases, though I absolutely agree that NMH might not seem to be in the same position, consider that PRETTY HATE MACHINE, BLEACH, and GISH all promised great things and the resulting celebration of the follow up albums, in all three cases, rocketed the bands to high-pressure, big label stardom. NMH didn’t get there and perhaps Magnus had examples like this in mind? (something tells me he didn’t since Cooper gives great details about the band’s disconnection from any mainstream influences. Cobain was enough of an icon and his suicide such a massive hit on musicians that it could have played some role in Magnus’s decision to move on, of course.)

I’m not suggesting Magnus is overly-sensitive or that Cooper hyperbolizes the experience, it’s just that the book doesn’t make a clear picture of what the stress truly felt like.

** By all accounts Magnus is as kind and lovable as he’s described here; but something felt missing and, I’m 99% sure that it’s simply Magnus’s own words that would help complete the picture of him as a artistic person as opposed to the obsessive smart artist that I see in this text.



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Review: Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History


Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History
Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History by S.C. Gwynne

My rating: 4 of 5 stars



an engrossing albeit problematic history of the Comanches. Gwynne provides a great sense of how the Spanish and later the Texans failed to treat the Comanches with any respect (be it social or military). Great cultural data and some enlightening (to me, anyway) information about the politics of tribes in the southwest.

My problems arise with some of Gwynne’s language choices, where his failure to signal an ironic stance causes some confusion. For instance, when using the term “uncivilized,” Gwynne demeans the Comanche and other tribes but it’s hard to know if this is meant to be harsh or is simply that Gwynne doesn’t see a problem using “uncivilized” when he means “nomadic tribes” or “non-European peoples”. Basically, civilized equates to “having a fixed architecture, written language” etc. I can see the need for a word that differentiates the oral-tradition + nomadic culture of the Comanches, but falling back on the binary of civilized/un-civilized privileges the European/Texan/American peoples. Similar issues arise with the use of the word “savage” that is apparently meant to be ironic yet lacks a clear signal of said irony (putting savage in quotation marks or using phrases “The warriors whom the Spanish believed to be savage and unskilled ended up decimating....”)

Definitely worth reading if one has an interest in the topic, but be ready for some of these frustrating moments.



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Wednesday, July 30, 2014

Review: The Ballad of Peckham Rye


The Ballad of Peckham Rye
The Ballad of Peckham Rye by Muriel Spark

My rating: 4 of 5 stars



Not as intense as THE DRIVER’S SEAT (which is the book that’s caused me to read more Muriel Spark), THE BALLAD OF PECKHAM RYE has comedic moments and essentially shows how a suspicious character who may or may not be the devil causes chaos amongst the various relationships of the people he meets. Unlike other novels that rely on the “he’s the devil but no one knows” setup (see: THE CONFIDENCE MAN by H. Melville), this novel seems less concerned with keeping his true nature a secret. It just doesn’t confirm the truth. In fact, Dougal Douglas originally comes to town because he’s following a woman he loves; but Dougal has a weakness where he cannot be around people who are sick.

I had a trouble keeping track of the cast in this book, but that could be because THE DRIVER’S SEAT was a story about one person on a mission and this was about the corrupting nature of one character amongst many.

Maybe not the best novel to start with by Spark, but definitely worth reading.



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Thursday, July 24, 2014

Review: The Driver's Seat


The Driver's Seat
The Driver's Seat by Muriel Spark

My rating: 5 of 5 stars



Have you ever read a book that’s reveals to you the ending, the factual ending, but doesn’t tell you why, just gives you little clues about the why, just pushes you and pushes you to get to the end because you have to know WHY everything just happened?

Of course you have, if you read mysteries.

But this book, oh this book.

Don DeLillo once said:
"When I think of highly plotted novels I think of detective fiction or mystery fiction, the kind of work that always produces a few dead bodies. But these bodies are basically plot points, not worked-out characters. The book’s plot either moves inexorably toward a dead body or flows directly from it, and the more artificial the situation the better. Readers can play off their fears by encountering the death experience in a superficial way. A mystery novel localizes the awesome force of the real death outside the book, winds it tightly in a plot, makes it less fearful by containing it in a kind of game format.” (http://www.theparisreview.org/interviews/1887/the-art-of-fiction-no-135-don-delillo)

Muriel Spark wrote this novel as a direct counter to what normally happens in a mystery novel. And it’s fast, weird, FUNNY, and brilliant.

Read it and know this: the main character is infuriating but she’s funny in her comments, behaviors and thoughts. Things get grim, but I read this so fast and loved it.



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Monday, July 21, 2014

Review: The Blue Fox: A Novel


The Blue Fox: A Novel
The Blue Fox: A Novel by Sjón

My rating: 5 of 5 stars



THE BLUE FOX reads like Hemingway crossed with a more recent Jayne Anne Phillips novel. Cut into three sections, the first is a series of precise beats following a hunter who tries to take down a fox. The middle section bursts forth with life and connectivity, loss, death, and reveals just who is the hunter we were first introduced to. The final section provides an excellent resolution, if one takes joy in reading about the suffering of a cruel and heartless man. I’d say more but don’t wish to spoil things.

Read this if you love crisp sentences and want to see how a story can be told slightly out of order to great effect.



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Sunday, July 13, 2014

Review: The Heart of a Dog


The Heart of a Dog
The Heart of a Dog by Mikhail Bulgakov

My rating: 5 of 5 stars



HEART OF A DOG is a fun, focus, grim, wonderful book. Some understanding of the history of the Soviet Union is helpful going in, but as long as a reader understands that this is a critique of societies that expect immediate change in the common citizens after revolution, things will make sense.

Put this on your list if you enjoy Kafka, politically astute fiction such as IT CAN’T HAPPEN HERE by Sinclair Lewis, or even George Saunders.

Translation is always crucial and while I have no idea how “faithful” this is to the original, I can say that it reads well--losing none of the intricacies of the conversations, though early on the narration is a bit confusing.



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Review: We Have Always Lived in the Castle


We Have Always Lived in the Castle
We Have Always Lived in the Castle by Shirley Jackson

My rating: 4 of 5 stars



Well paced and fascinating, with a dark energy beneath it all. The voice is strong and I love the scene with cousin Charles and Uncle Julian. Basically, lots of things in this story are odd, perhaps untrue. In fact, this is an unreliable narrator story whereby the reader knows this but still trusts the narrator since the facts are less fascinating than the mood.

Hard to describe more without ruining elements of the plot, but at 148 pages, this is not the kind of book that will demand huge amounts of time, so I’d recommend it to anyone who likes gothic fiction.

Only downside is that I expected a bit more out of the ending because the plot climax was substantial and seemed world-altering. Not saying the ending “ruins” anything; it just wasn’t what I expected.



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